Contemporary Ceramics is a prestigious gallery in Central London specialising in studio ceramics. For the last 6 months Eastnor Pottery co-director Sarah Monk has been developing a new a collection for exhibition at the gallery.
The work features new colours, new clay, new techniques, new slips and new glazes. The work is on show until the end of October 2018.
Here’s an extract from the article she composed for the Gallery blog.
“Creating the collection has been a winter-evening pursuit, when our busy Studio is closed to customers. By day we offer Pottery Experiences, and have been doing so for the last 24 years. Having just a few hours at the end of a busy day really focuses the creative process for me!
I am a designer-maker specializing in functional ceramics to fit comfortably in the home, particularly the kitchen (my favorite room in our house).
Breakfast has been my starting point; berry bowls and spoons, toast racks and knife rests, egg cups with decorative storage boxes and bowls of all shapes and sizes. The whole range is mix and match.
Growing up, my Mum collected Watcombe Pottery. Over the years she managed to collect more than 400 pieces and they over-flowed from two dining-room dressers in our kitchen. I remember showing it to my school friends and enjoyed reading all the sgraffito sayings and looking at the vibrant slip-trailed patterns. My plan this year has been to fill a dresser at Eastnor Pottery with my own slipware designs, reveling in the easy-going feel of a country potter. In fact, I have already filled this dresser…..maybe I need to get a second one too!
When making my own work, my approach is relaxed and playful, and I hope this translates through to the finished pieces. I love our studio workshop and make full-use of our facilities; from the electric potter’s wheels to the table spaces for hand-building and modeling – whatever takes my fancy! Slips are brushed on, sgraffito designs drawn into the surface and spriggs applied, making the pieces tactile, a deliberate consideration. I restrict my pallet to blue and white slip on terracotta clay; it links everything together and has a country cottage appeal. All of my making happens at the wet clay stage. After a biscuit firing I don’t add anything else to the surface except for a simple lead-free glaze.”
More work can been seen on Sarah’s Instagram.
It’s always an extremely productive day for participants on our 
We loved working with these newly weds who apart from making some super pots, introduced us to the concept of the Mini-moon.